“NASOYIMU-L MUHABBAT” ASARIDA TASAVVUF ILMIGA OID SО‘Z VA JUMLALARNING STILISTIK FUNKSIONALLASHUVI

Abstract

This article analyzes the stylistic functioning of Sufi-related words and sentences in Alisher Navoi’s “Nasoyim al-Muhabbat.” The study highlights the intertextual relationship between Navoi’s work and Abdurahman Jami’s “Nafahat al-Uns min Hazarat al-Quds,” emphasizing Navoi’s creative reinterpretation and transformation of the source into an independent artistic system. The research explores the linguopoetic potential of Sufi terminology, symbols, and figurative expressions, demonstrating their role in generating multilayered meanings within the text. Special attention is given to the phenomenon of parceling as a syntactic and communicative device that enhances expressiveness and stylistic intensity. The findings confirm that “Nasoyim al-Muhabbat” represents not only a tazkira genre text but also a profound synthesis of Sufi philosophy and artistic language.