ALISHER NAVOIY VA XXI ASR

ALISHER NAVOIY ADABIY MEROSINING JAHON TAMADDUNIDA TUTGAN O‘RNI

2026-02-21T15:07:48+05:00

This article examines the role of the literary heritage of the great thinker and poet Alisher Navoi in the development of world civilization on a scientific and theoretical basis. Alisher Navoi’s work is evaluated as an important product of the Eastern Renaissance, and his literary heritage is based on scientific evidence, not only within the framework of national literature, but also as an integral part of the world literary process. The translation of Navoi’s works into different languages and their international study are interpreted as an important factor indicating the universality of his work. The poet’s scientific views on language, artistic thinking, and the concept of the perfact person are discussed, as well as the cultural and philosophical views of the East and the West.

MAHMUD ZAMAXSHARIYNING HIKMATLARIDA DINIY MANBALARDAN IQTIBOS KELTIRISH USULLARI

2026-02-23T18:07:16+05:00

This article provides information on the methods of quoting verses from the wisdom of Mahmud Zamakhshari. It also discusses the role of sacred sources in instilling in the listener the moral views of the scholar, consisting of advice and wisdom.

ALISHER NAVOIY IJODIDA NIZOMIY VA JOMIY TA’SIRI

2026-02-27T17:38:30+05:00

In Alisher Navoi's (1441–1501) creative heritage, the influence of Persian classical literature representatives – Nizami Ganjavi (1141–1209) and Abdurahman Jami (1414–1492) – is profound and multifaceted. Nizami's primary impact manifests in Navoi's "Khamsa", where he adopted the genre of Nizami's "Khamsa" (five masnavis), adapting plots and forms to Chagatai language, while introducing new interpretations in socio-philosophical content, character portrayal, and moral orientation. Jami, as Navoi's mentor and close friend, directly influenced his poetic style, Sufi views, and creative method. Navoi translated Jami's "Nafahat ul-Uns" into Chagatai as "Nasayim ul-Muhabbat" and dedicated "Khamsat ul-Mutahayyirin" to his teacher. The study demonstrates how these influences were creatively reworked and enriched with innovations, contributing to the rise of Chagatai literature.

ALISHER NAVOIY IJODIDA RUBOIY JANRI VA UNING VAZN XUSUSIYATLARI

2026-02-21T17:23:33+05:00

This article examines the theoretical and practical foundations of the rubāʿī genre in the works of Alisher Navoi, with particular attention to the formation of rubāʿī metres within the axrab and axram branches of the hazaj metre. Current scholarly debates in modern literary studies concerning the metrical criteria of the rubāʿī and its distinction from other quatrain forms are analyzed. Based on classical sources such as Navoi’s Mezon ul-avzon and Babur’s Boburnama, Mukhtasar, and Treatise on Aruz, the metrical system of the rubāʿī is scientifically substantiated. The article also summarizes major twentieth-century Uzbek literary studies devoted to the rubāʿī genre. In addition, it discusses the teaching of the rubāʿī in general secondary education, the stages of metrical analysis, and the effectiveness of innovative pedagogical methods in explaining the metrical structure of rubāʿī poetry.

O‘ZBEK VA INGLIZ TILLARIDA LANDSHAFT BIRLIKLARINING LINGVOMADANIY TALQINI

2026-02-27T14:14:06+05:00

This article explores the linguocultural interpretation of landscape units in Uzbek and English from a comparative perspective. The study analyzes the semantic structure, nominative features, and cultural meanings of lexical units denoting landscape elements. Landscape units are considered not only as nominative means for representing geographical objects but also as linguocognitive structures reflecting historical experience, worldview, and value systems of a speech community. The comparative analysis identifies similarities and differences in the formation, semantic development, and symbolic interpretation of the landscape concept in Uzbek and English.

ALISHER NAVOIY IJODIDA ILMIY FANTASTIKA POETIKASIGA XOS TIPOLOGIK UNSURLAR

2026-02-19T11:47:18+05:00

This article examines the works of Alisher Navо‘i not through a direct generic identification with science fiction, but through analytical approaches developed within the poetics of science fiction. The study identifies narrative and poetic models characteristic of scientific-fantastic works – such as global threat, technological or constructive solutions, and the creation of artificial space – within the framework of classical literature. In Farhod and Shirin, the articulation of problem and solution is realized at the level of individual action, while in Saddi Iskandariy the reorganization of space through a defensive structure becomes central. These features are interpreted as typological affinities with the poetics of science fiction. The findings demonstrate that Navoi’s works intersect with science fiction not at the level of genre, but at the level of narrative logic and modes of thinking, thereby expanding the historical and literary context of scientific-fantastic imagination.

“TARIXI ANBIYO VA HUKAMO” ASARIDA AYOLLAR OBRAZI TALQINLARI

2026-02-23T17:27:17+05:00

Alisher Navoi's "History of the Prophets and Rulers" is a concise, coherent, analytical historical-prose work about the lives of the prophets. When studying the work, attention is often paid to the biography of the prophets. However, the image of women in the work is also unique, and each heroine has a certain importance in the stories of the prophets. In this regard, the image of women is also noteworthy in studying the composition and plot of the work.

“ALPOMISH” DOSTONI VA ALISHER NAVOIYNING “SHAYX SAN’ON” QISSASI SYUJETINING QIYOSIY TAHLILI

2026-02-27T17:20:59+05:00

Uzbek literature possesses a range of creative masterpieces that can compete with world literature in terms of scope and artistry. The epic “Alpamysh” and the tale of “Sheikh San’an” are considered high–art works belonging to this category. This article provides a comparative study of the plots of the “Alpamysh” and the “Sheikh San’an”. Special emphasis is placed on the motifs that form the similarities between the two epics. Specifically, the analysis is conducted based on the motifs of dreams, journeys, and trials. This is because motifs, as structural components of a plot, bring the work together as a unified whole.

TUTDI ATTOR NAZMIDIN OLAMNI BUTKUL ATRI ISHQ...

2026-02-21T17:13:03+05:00

This article discusses the invaluable contribution of Shaykh Farid al-Din ʿAttar to the theme of Love in literary art and to the development of its poetics. The study presents conclusions regarding the extent to which Shaykh Farid al-Din ʿAttar’s works engage with the themes of divine love and spiritual knowledge, and how profoundly the poetics of love is manifested in his tvorchestvo. Particular attention is given to the interpretation of divine love in the narrative of “Shaykh Sanʿān,” which forms part of the epic poem Manṭiq al-Ṭayr, where the depth and intensity of the portrayal of divine love are clearly revealed.

“NASOYIMU-L MUHABBAT” ASARIDA TASAVVUF ILMIGA OID SО‘Z VA JUMLALARNING STILISTIK FUNKSIONALLASHUVI

2026-02-25T12:15:54+05:00

This article analyzes the stylistic functioning of Sufi-related words and sentences in Alisher Navoi’s “Nasoyim al-Muhabbat.” The study highlights the intertextual relationship between Navoi’s work and Abdurahman Jami’s “Nafahat al-Uns min Hazarat al-Quds,” emphasizing Navoi’s creative reinterpretation and transformation of the source into an independent artistic system. The research explores the linguopoetic potential of Sufi terminology, symbols, and figurative expressions, demonstrating their role in generating multilayered meanings within the text. Special attention is given to the phenomenon of parceling as a syntactic and communicative device that enhances expressiveness and stylistic intensity. The findings confirm that “Nasoyim al-Muhabbat” represents not only a tazkira genre text but also a profound synthesis of Sufi philosophy and artistic language.

MUHAMMAD ALI VA NURALI QOBUL IJODIDA ADABIY-BADIIY AN’ANALAR VA ROMAN SPETSIFIKASINI YANGILASH JARAYONI

2026-03-02T11:39:04+05:00

This article is devoted to a comparative analysis of the works of two prominent Uzbek writers - Muhammad Ali and Nurali Qabul. It focuses on the principles and artistic methods of the two writers in depicting historical figures and events, as well as the image of a person. In the works of Muhammad Ali (in particular, in his epic novels about the era of Amir Temur and the Temurids), the principles of loyalty to historical truth, glorification of national pride and heroic qualities, and exaltation of a person as a great person prevail. His style is realistic-epic in nature, based on enriching events with a broad historical background and philosophical interpretation. In the works of Nurali Qabul, historical themes are often connected with modern socio-philosophical problems, and a sharp psychological analysis of the inner world of a person, his spiritual suffering, his place in society, and spiritual values is carried out. The article examines the common and different aspects of the two writers in the depiction of history and humanity - understanding of national identity, individual approaches to the artistic interpretation of reality, realistic and psychological methods of depiction, as well as their place in modern Uzbek literature based on comparative-historical and typological methods.

BADIIY USLUBDA “QAT’IYAT” KONSEPTINING VOQELANISHI

2026-02-23T17:15:36+05:00

This article examines the expression of the concept of “determination” in literary style through various linguistic means. In particular, it analyzes lexical units expressing determination (such as oath, I believe, I am certain, necessary, obligatory), phraseological units (to give one’s word, to make up one’s mind), sentence constructions (I swear by the truth, I am fully convinced that), various poetic devices (repetition, chiasmus, gradation), and pleonastic usages. Their functions and stylistic interpretations in literary discourse are illustrated with relevant examples.

JAHON NAVOIYSHUNOSLIGIDA MUNOZARALI MULOHAZALAR

2026-02-27T17:07:36+05:00

This article analyzes the achievements in world Navoi studies and the attitude of the Western world to the work of Alisher Navoi. Some sources have reacted to the biased assessments given to the writer's works, without realizing that Alisher Navoi's work is an innovation within the tradition. Also, several sources on the study of Navoi's work are analyzed.

“HAYRAT UL-ABROR” DOSTONIDA FRAZEOLOGIK IBORALARNING SEMANTIK TAHLILI

2026-02-21T16:03:30+05:00

This article analyzes the semantic aspects of phraseological expressions used in Alisher Navoi's epic poem "Hayrat ul-abror". The figurative meaning of the expressions, their meaning in context, and their semantic load in expressing moral and spiritual ideas are highlighted on the basis of examples.

“SABʼAYI SAYYOR” DOSTONINI O‘RGANISHDA O‘QUVCHILARNING EKOLOGIK MADANIYATINI PRAGMATIK YONDASHUV ASOSIDA RIVOJLANTIRISH

2026-02-25T11:59:36+05:00

This article examines the issues of developing ecological culture among academic lyceum students through a pragmatic approach, based on Sab‘ayi Sayyor, a major epic work by Alisher Navo’i.

ALEKSANDR SEMYONOVNING NAVOIYSHUNOSLIKDAGI OʻRNI

2026-03-02T11:25:18+05:00

Alisher Navoi's personality and work have always attracted the interest of not only Uzbek literary scholars but also connoisseurs of culture and education worldwide. Russian scholars are the most prominent in this regard. In the 19th and 20th centuries, many Russian orientalists turned to Alisher Navoi. Scholarly research by E. Bertels, V. Bartold, A. Borovkov, A. Yakubovsky, and other researchers once again demonstrates the uniqueness of the great poet's work. One such orientalist is Alexander Alexandrovich Semenov. Semenov published numerous scientific works on issues related to the personality of Alisher Navoi, in particular on the cultural issues of the era in which the poet lived, the influence of Persian literature and the role of calligraphers in the development of literature. It should be noted that several periods of the scholar's life and work were connected to Tashkent, which played a significant role. This article reflects Alexander Semenov's reflections on classical Iranian literature and its influence on Alisher Navoi.

ISAJON SULTONNING “BILGA XOQON” ROMANIDA TARIXIY XOTIRA VA MILLIY O‘ZLIK TALQINI

2026-02-23T16:53:48+05:00

In Uzbek historical fiction, the artistic interpretation of the history and spiritual heritage of the ancient Turks is considered a complex and responsible undertaking. The novel Bilga Khagan by the People’s Writer of Uzbekistan, Isajon Sulton, is one of the significant works devoted to this important and relevant theme. The work artistically reconstructs the concepts of ancient Turkic statehood, national identity, and the notions of el and budun through literary imagination. By harmoniously combining the spirit of historical sources—particularly the Orkhon-Enisei inscriptions—with modern artistic expression, the author transports the reader into the depths of the distant past. The novel not only depicts historical events but also profoundly reveals the process of a nation’s self-awareness, the sufferings endured by the people, and the spirit of revival. The issues raised in the work—fragmentation, the threat of losing identity, alienation, and geopolitical pressure—are interpreted in resonance with contemporary realities. In this respect, Bilga Khagan serves as a literary bridge between historical memory and modern consciousness.

NAVOIY DOSTONLARI VA XALQ KITOBLARI: JANR, KOMPOZITSIYA VA BADIIY USLUB FARQLARI

2026-02-27T16:59:18+05:00

This article analyzes the differences between the epics of Alisher Navoi and popular epic texts called folk books in terms of the nature of the genre, compositional structure, and artistic and stylistic layers. Navoi's epics are distinguished by their authorial poetics, aruz system, symbolic and philosophical content, extensive intertextuality, and complex artistic techniques. Folk books, on the other hand, are seen as a textual category formed in the area where oral and written traditions meet, adapted to the needs of copying, processing, bakhshiy performance, and mass reading.

SO‘Z MAXZANINING XAZONADORI

2026-02-21T15:47:47+05:00

Our people's love for the works of Alisher Navoi has never waned. Although the current reader is separated from Navoi by six centuries, the poet is a poet of every era and of all Turkic peoples. Our lack of familiarity with the rarely used words and the vocabulary of the Arabic-Persian languages in our today's spoken language seems to distance us a little from our great-grandfather. But there are such language-loving, literature-loving creators, "divers" like Bahodir Qabul, who seek out gems in the ocean of words, that the distance between Navoi and the current generation is reduced. This small study will discuss the interpretations of Navoi's works by Bahodir Qabul, in particular in the work "Mahbub ul-qulub" - "The Love of Hearts".

OMON MUXTORNING TARIXIY ROMANLARIDA BADIIY EKSPERIMENT XUSUSIYATLARI

2026-02-23T18:10:56+05:00

The article analyzes the features of artistic experimentation in Omon Mukhtor’s historical novels. It examines compositional innovation, psychological depth, and the philosophical interpretation of historical figures. The study highlights the writer’s contribution to the development of the historical novel genre.

FUTUVVAT G‘OYASINING NAVOIY DOSTONLARIDAGI BADIIY TALQINLARI

2026-02-27T17:42:44+05:00

This article focuses on the concept of futuwwa as one of the central moral and spiritual doctrines in Uzbek classical and Sufi literature. It examines the formation of futuwwa, its connection with the ideals of javonmard and fatiy, and its role in literary thought. The artistic interpretation of futuwwa is analyzed through the views of Kaykovus and Koshifiy and examples from Alisher Navoi’s Khamsa.

“HAYRAT UL-ABROR” DOSTONIDA ISKANDAR OBRAZI

2026-02-21T17:27:43+05:00

This article looks at how Alisher Navoi presents Iskandar (Alexander) in Hayrat ul-abror. In this poem, Iskandar is not the main character; he appears in short stories and brief references used to teach a lesson. The article shows that Iskandar is used in three main ways: to remind readers that this world is temporary, to share wisdom, and through the image of the wall (sadd) to express spiritual strength and firmness. The study concludes that Hayrat ul-abror prepares the way for the Iskandar theme to become more important in Navoi’s later epics.

ALISHER NAVOIY FORSIY RUBOIYLARIDA AXLOQIY-ESTETIK QARASHLAR

2026-02-27T14:18:24+05:00

Alisher Navoi skillfully employed the expressive potential of the Persian language to create rubai distinguished by profound artistic and ideological depth. While many of his quatrains celebrate divine love, a significant part reflects moral, philosophical, social, and natural themes. This article analyzes Navoi’s Persian rubai that focus on human soul, moral perfection, independent thinking, and the aesthetic perception of nature. The study reveals the symbolic and mystical layers of imagery and presents poetic translations that reflect Navoi’s spiritual worldview. Through ethical reflection and natural metaphors, Navoi portrays the harmony between inner purification and the beauty of the universe.

NIZOMIY VA NAVOIY ADABIY MEROSI KONTEKSTIDA HAMID OLIMJONNING NAVOIYSHUNOSLIK QARASHLARI

2026-02-19T15:16:45+05:00

This article examines the scholarly contribution of Hamid Olimjon, a prominent Uzbek poet and literary scholar of the twentieth century, to the study and interpretation of Alisher Navoi’s works based on archival sources. The research analyzes Olimjon’s reports, academic and publicistic articles, as well as manuscript and printed studies written in connection with the preparation for the 500th anniversary of Navoi. Particular attention is paid to his interpretations of the epics Farhod and Shirin and Layli and Majnun, and to the issues of humanism, national spirit, and modern relevance in Navoi’s творчество. Archival autograph and typewritten materials are introduced into scholarly circulation, and their significance for the development of Navoi studies is highlighted.

SAHNA SAN’ATIDA ALISHER NAVOIY SIYMOSI VA IJODINING TALQINI

2026-02-23T17:35:33+05:00

The works of Alisher Navoi play a significant role in the formation and development of Uzbek theatre. This article examines the history of staging performances based on the image of Alisher Navoi and his literary works at the Samarkand Regional Musical Drama Theatre. Particular attention is paid to the theoretical analysis of innovative artistic approaches and the challenges ancountered in this process.

MAMATQUL HAZRATQULOV IJODIDA NAVOIY AN’ANALARI

2026-02-27T17:29:44+05:00

This article analyzes the Sufi–philosophical essence of the concept of love, which occupies a central place in the works of Alisher Navoi, the sultan of the realm of words, as well as its artistic continuity in modern Uzbek literature. It also examines the artistic representation of the theme of love in the novellas of the contemporary writer Mamatqul Hazratqulov through the characters of Botir, Temir, and Zafar. Through these characters, various manifestations of love—such as human affection, patriotism, and devotion are revealed. The study substantiates the organic connection between Navoi’s literary legacy and modern literary thought, and highlights the aesthetic and educational significance of the concept of love in contemporary literature.

NAVOIY ADABIY MEROSINING JAHON MADANIYATIDAGI O‘RNI

2026-02-21T17:19:04+05:00

This article analyzes the place of the literary heritage of the great thinker and statesman Alisher Navoi in world culture and civilization. During the research, the textual features of the poet's works, the dynamics of their translation into foreign languages, and the level of their study in world literary studies were highlighted. The humanistic ideas of Navoi's work and his services in increasing the prestige of the Turkic language are shown through comparative-analytical methods. At the end of the article, conclusions are presented on the significance of Navoi's works in enriching world spirituality today.

POETIK AN’ANA VA ZAMONAVIY RUH: ULUG‘BEK HAMDAM IJODIDA NAVOIY MEROSINING TALQINI

2026-02-25T12:21:47+05:00

This article examines the issues of tradition and literary inheritance in poetic themes from a literary perspective, highlighting the organic connection between classical and contemporary poetry. The study analyzes the engagement of Alisher Navoi’s poetic legacy in the works of one of the prominent representatives of contemporary Uzbek poetry, Ulugbek Hamdam. In the poet’s works, Navoi’s ideas of the perfect human, divine love, spiritual quest, inner perfection, and attainment of Truth are reinterpreted in the context of the modern individual’s psychological state, personal dilemmas, and spiritual struggles. The analysis is illustrated with examples from Hamdam’s poems and narratives, including the short stories “Musulmon” and “Yaxshiyam sen borsan”, as well as the epic “Yangi inson”.

HOFIZ XORAZMIY IJODIDA MUVOZANA SAN’ATINING QO‘LLANILISHI

2026-02-23T17:21:52+05:00

This article classifies the use of the muvozana (art of balance) in Hofiz Khorezmi's poetry. Selected verses featuring this rhetorical device are analyzed in detail, highlighting the poet's artistic skill and mastery.

ALISHER NAVOIY HIKMATLARINI MAKTAB YOSHIDAGI BOLALARGA O‘RGATISH

2026-02-27T17:12:17+05:00

In addition to the examples of folk creativity for the coming of age of the younger generation as a spiritually perfect person, the fruitful use of the rich literary heritage of our great Gods is becoming more relevant than ever. In particular, the historical fact that the opinions expressed in the wisdom of the great thinker Alisher Navoi have not lost their significance, although times have passed. Because no life matter or human qualities and vices were left out of his pen. Proverbs expressed the socio-moral views of the Nawab on various topics. "The poet's wisdom is neither modern-it is ground, nor sectarian-it is religion, nor social order-it is limited in terms of political category.”

ALISHER NAVOIY IJODIDA ADOLAT KONSEPSIYASI VA UNING MA’NAVIY-IJTIMOIY MOHIYATI

2026-02-21T16:08:21+05:00

This article examines the central role of the concept of justice in the works of Alisher Navo‘i, exploring its philosophical, ethical, and socio-political dimensions. In Navoi’s writings, justice is interpreted not only as a moral virtue but also as the fundamental principle of social stability and state governance. Drawing on examples from “Hayrat ul-abror,” “Saddi Iskandariy,” “Farhod va Shirin,” “Sab’ai sayyor,” and “Mahbub ul-qulub,” the study analyzes the artistic representation of justice, its Islamic-Sufi sources, and its practical social implications.

ELEKTRON LUG‘AT PLATFORMALARI UCHUN LEKSIK BAZANI SHAKLLANTIRISH VA TIZIMLASHTIRISHNING LINGVISTIK MEZONLARI

2026-02-25T12:10:49+05:00

In the context of digital transformation, the development of electronic dictionary platforms includes an important software stage. However, after completing this stage, the primary task becomes the collection and systematization of the dictionary’s lexical database. Vocabulary is the most dynamic and changeable layer of a language. As society, science, and technology evolve, new words emerge while others gradually fall out of use. Therefore, the content of an electronic dictionary requires continuous updating.

ILM MASKANIDA NAVOIY IJODI

2026-03-02T11:29:59+05:00

The article discusses the study of the works of Alisher Navoi, the sultan of the realm of poetry, in schools. The formation and promotion of the qualities of a perfect individual among young people is of great importance. The article offers several recommendations on instilling the poet’s humanistic ideas in students through non-traditional methods during the process of literary analysis.

ALISHER NAVOIYNING “HOTAMI TOY” HIKOYASINI INTEGRATIV-METODIK YONDOSHUV ASOSIDA O‘QITISH

2026-02-23T17:02:12+05:00

This article scientifically examines the effectiveness of an integrative methodological approach to teaching “Hotami Toy”, one of the stories from Alisher Navoi’s dastan “Hayrat ul-abror”, in general education schools. The study analyzes methods aimed at developing students’ spiritual and moral qualities through the integration of literary education, moral upbringing, and competency-based approaches. Furthermore, the significance of this approach in fostering students’ artistic thinking and socially active competencies is substantiated.

ISHQ SAHROSIDA IKKI MAJNUN

2026-02-27T17:03:15+05:00

This study discusses the essence and artistic function of the images of the madman, devona, and madwoman in classical literature and our national literature. In the works of Alisher Navoi: the image of the madman in his ghazals and the epic poem “Layli and Majnun”, the mental state of Otabek in the novel “Bygone Days” by Abdulla Qodiriy is subjected to comparative analysis.

“IKINCHI BIR NAVOYIG‘A UCHRAMADIK”

2026-02-21T15:55:25+05:00

This article is based on Fitrat’s views on Alisher Navoi, particularly his famous statement: “We have not encountered a second Navoi.” Fitrat is considered one of the first Uzbek Jadids who studied Navoi’s legacy scientifically. The article also provides an overview of modern approaches to teaching literature, with a particular focus on the competency-based approach. Within this framework, a lesson plan for 5th-grade students was developed using the case-study method, based on the story “The Lion and the Partridge” from Alisher Navoi’s epic “Hayrat ul-abror”. This research highlights the educational significance of teaching literature in fostering moral and ethical values such as honesty, loyalty, and friendship among students.

ALISHER NAVOIYNING MANOQIB ASARLARIDAGI TIBBIYOTGA OID ISTILOHLAR XUSUSIDA

2026-02-25T11:55:23+05:00

This article examines medical terminology found in the works Khamsat ul-Mutahayyirin, Holoti Sayyid Hasan Ardasher, and Holoti Pahlavon Muhammad by Alisher Navoi from linguistic, historical, and scientific perspectives. The study analyzes the semantic characteristics of medical terms used in manqib texts, their sources, and their relationship with medieval Eastern medicine. Special attention is given to the identification of native and borrowed lexical layers within the medical vocabulary. The etymology of key medical terms is also explored, highlighting their formation and development in the context of historical medical discourse.

ALISHER NAVOIYNING RINDONA G‘AZALLARIDA TASAVVUFIY TUSHUNCHALAR TAHLILI

2026-03-02T11:20:06+05:00

The article provides information about may and its poetic function in poetry, which has become traditional the mein Eastern literature. Alisher Navoi, the beloved poet of the Turkic peoples, the founder of the old and new Uzbek literary language, is involved in the analysis of such images as boda, may, chagir, kadakh, jam. May used in poet’s poems means tasavvufiy, Navoi tried to express divine love through may and lover’s soul through kadakh. The poet who approved vigilance in love not unconscious, advocated exact limits even in drinking may. Since, rindona's poems are main part of Alisher Navoi’s lyrics, they proves that Hazrat was a mystical poet.

OHANGARON SHAHRI SHEVASINING AYRIM DIALEKTAL XUSUSIYATLARI

2026-02-23T16:48:40+05:00

Ohangaron district is one of the regions with ancient history located in the southeastern part of Tashkent region. The population of Ohangaron district mainly speaks the Tashkent oasis dialect of the Karluk dialect. This dialect has its own phonetic and grammatical features, which we will consider in the following article. As a result of studying the phonetic and grammatical features of the Karluk dialect of Ohangaron district, the science of Uzbek dialectology can be enriched with new theoretical knowledge. These collected materials can also be used as a dictionary or new information for textbooks or manuals on uzbek dialectology.

O‘ZBEK VA FRANSUZ ROMANLARIDA DAVR IJTIMOIY-MA’NAVIY RUHIYATINING EKZISTENSIAL TALQINI

2026-02-27T16:56:04+05:00

This article examines the novel “The Plague” by Albert Camus, a prominent representative of 20th-century world literature, and the work “Bazaar” by Khurshid Dostmuhammad, a prominent example of Uzbek modern literature, in a comparative-typological aspect. The article analyzes the approaches of both writers to the concepts of human existence, alienation, absurdity, and “boundary situation” (Grenzsituation). The allegorical essence of the images of “Plague” and “Market”, their features as a socio-spiritual space are revealed. In the course of the research, the reflection of the philosophy of existentialism in the literary text and the transformations in the psyche of the characters are highlighted in a comparative aspect.